Recently my husband was sharing a story of an event that
took place in Naples, Italy when we lived there some 37 years ago. He was
telling this story with gusto because it was unnerving for him. However for me,
the issue wasn’t the story but how he
remembered it. I had a somewhat different memory of the event. The point of
this story is why we each have such different memories. But let us focus on
this one story and then go over why we each remembered one key fact so
differently.
In this story, we were returning from a Navy party way out
in the country. It took a full 40 minutes to drive back into downtown Naples.
We had a top floor apartment on Posillipo hill, right on the bay of Naples. Our
apartment overlooked the entire bay of Naples, including Sorrento and the
islands of Ischia and Capri. However to get to the final street that would wind
us up the mountain to our apartment, we had to drive through a very long
tunnel, then turn right, past a traffic circle and then past 12-story apartment
buildings that lined both sides of the street.
Normally, as we came out of that tunnel and turned right, we
would get our first glimpse of the Bay of Naples, this glorious view tightly
wedged between these two 12-story apartment buildings. It was a ‘T’
intersection with a stoplight. Turn left at this intersection and you head for
the center of downtown Naples hugging this glorious bay. Turn right and you
enter the Mergillina area and begin to head up the mountain on Via Posillipo.
Because the mountains that overlook Naples Bay are so populated with gorgeous
villas, there is another major road that intersects with Via Posillipo and
Mergillina: Via Petrarca.
So here is the scene that should have happened:
We come out of the tunnel,
We turn right toward the stoplight that is 300 yards ahead
of us.
The light was green and my husband is accelerating to the
light.
We should have flown through the green light and made a
slight right turn toward Via Posillipo, past the intersection with Via
Petrarca.
But here is what actually
happened at 2am in that incredibly memorable moment. It is also important to
mention that in 1977, Naples was a ghost town in the middle of the night. We
had driven for 35 minutes and had not seen another car anywhere. We felt like
we had the city to ourselves, snug in our fast red Fiat MiraFiori. We thought we would be reaching our
apartment in a matter of minutes.
But this is what
actually happened that fateful night.
We came out of that tunnel.
We turned right toward the stoplight that is 300 yards ahead
of us. We can see the slim view of the twinkling lights of the night fishermen
ahead of us, and the wine dark sea past that.
But in that astonishing moment, I didn’t see any of that.
All I could ‘see/sense’ was that there was something very wrong about racing
toward that intersection. The light was green and my husband was accelerating
toward that green light. That nagging sense that something was terribly wrong
gripped me.
“Troy you have to slow down, slow down now.”
“Are you nuts?” he demanded. “I’ve got a green light.”
“No, SLOW DOWN RIGHT NOW.” I demanded in an ever-louder
voice.
“I’m slowing down, but
we have the green light? Why should I
slow down?”
“Slow down
more, hurry, quickly, slow down now! Just
do it!” I’m yelling now, as if something has come over me and I can ‘see’
that if we don’t slow down something terrible is going to happen.
Troy applies the brakes more and more and we are now a few
feet from driving through that still green light.
“Stop the car!!” I’m screaming at him now. “Stop the car
immediately, DO IT.”
And as he brings the car to a full stop, another car comes
out of absolutely nowhere utterly ignoring the fact that he has a red light and
should stop. But he doesn’t stop, he slows down when he sees us – finally – and
then he continues on his way.
Some part of me ‘saw’ him coming. If Troy hadn’t slowed
down, we would have been hit and if we hadn’t stopped, we would have killed the
man in the other car. Only bringing our car to a complete top saved us both.
As the other car proceeded on, we noted that there was not
another car in sight, anywhere, only two cars on a collision course stopped by
an unseen feeling that saved us all. Troy pretty much demanded to know in a
very loud voice how I could have known that that car was there and how I knew
to stop. He freaked out all the way up Posillipo hill.
Needless to say, this was the beginning of a lifetime of
remote viewing, because in this case I could ‘see’ past those 12-story
apartment buildings to perceive that lone messenger of potential death for us
all on the other side of those buildings.
But this isn't the point of the story.
The point of the story is that when Troy is telling the story, he remembers the car
coming from the right, down Via
Petrarca towards Mergillina. However, I remember the car as coming from the
downtown area, coming from the left,
not the right.
When Troy told the story I listened and did not correct him.
His perception of the event is his alone. I remembered the key element of the
story very differently. So who's right?
It doesn’t matter who is right. We see this all the time,
especially between couples or family members who are all party to the same
event yet have decidedly different recollections of one or more key features of
the event. You often hear one spouse or family member immediately correct the
other, smugly believing that the other person has to be wrong, that there can only be one correct memory of an event. But
what if it is possible for there to be two accurate versions of an event?
Is this why ‘eye witness’ accounts are so routinely suspect?
Does our perception of an event color our memory of it? What creates this
influence?
I remember an event with both my brothers and my father. It
involved a dark colored car. All four of
us remembered that the car was dark, but we each specifically remembered a
different car color. The cop threw
up his hands: if four eye witnesses, standing side by side cannot agree on the
color of the car, what is the truth in any situation?
Perhaps the truth is that we each perceive reality slightly
differently. This does not make anyone’s perception wrong. It makes it simply
their perception and nothing more.
So if you are telling a story and someone corrects you, you
have good ground to tell him or her that your version of the story is based on
your perception of the moment and is not right or wrong. It’s a perception.
Perhaps correcting someone else would also be something that you would want to
forgo in the future, especially if you are able to acknowledge and allow that
other people are just as equally entitled to their perception as you are.
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